Red Sky at Noon (Paperback)
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Other Books in Series
- #1: Sashenka (Moscow Trilogy #1) (Compact Disc): Email or call for price.
- #3: Red Sky at Noon Lib/E (Moscow Trilogy #3) (Compact Disc): Email or call for price.
Imprisoned in the Gulags for a crime he did not commit, Benya Golden joins a penal battalion made up of Cossacks and convicts to fight the Nazis. He enrolls in the Russian cavalry, and on a hot summer day in July 1942, he and his band of brothers are sent on a suicide mission behind enemy lines—but is there a traitor among them? The only thing Benya can truly trust is his horse, Silver Socks, and that he will find no mercy in onslaught of Hitler’s troops as they push East.Spanning ten epic days, between Benya’s war on the grasslands of southern Russia and Stalin’s intrigues in the Kremlin, between Benya’s intense affair with an Italian nurse and a romance between Stalin’s daughter and a war correspondent, this is a sweeping story of passion, bravery, and survival—where betrayal is a constant companion, death just a heartbeat away, and love, however fleeting, offers a glimmer of redemption.
About the Author
Simon Sebag Montefiore's prize-winning, bestselling novels are published in twenty-seven languages. Red Sky at Noon is the last of the acclaimed Moscow Trilogy, which includes Sashenka and One Night in Winter, which was long-listed for the Orwell Prize. Montefiore's nonfiction books include Jerusalem: The Biography, a #1 Holiday Book Pick on the TODAY show, Young Stalin, winner of the Los Angeles Times Book Prize for Biography, and most recently, The Romanovs, which was a New York Times bestseller. Visit him at www.simonsebagmontefiore.com or on twitter @simonmontefiore.
The worthy conclusion to [the Moscow Trilogy]. The vivid interplay between a war story and a love story, and between the Kremlin and the frontline, grants the novel its momentum. Like so much historical fiction, Red Sky at Noon keeps readers turning pages not to learn the end but to better understand the individuals who brought about this end. A gripping adventure, a compelling history, and a work that adds humanity to stories we thought we already knew.
Historian, biographer, and novelist Montefiore has garnered critical acclaim and commercial success in each discipline, and his latest demonstrates his deftness in crafting a deeply engaging story that is only enriched by his skills as a historian and biographer. Offering historical accuracy, a fine empathy for his characters, and a story that illuminates the operatic tragedy of Stalin’s rule, Red Sky at Noon is brilliant on multiple levels.
A wonderful novel. Highly atmospheric. A truly absorbing read. Red Sky at Noon is like Cormac McCarthy—with Nazis and Cossacks.
— Philip Kerr, author of BERLIN NOIR the Bernie Gunther novels
Montefiore’s third novel in his Moscow Trilogy (after Sashenka and One Night in Winter) is a stunning World War II story set on the bloody Russian front outside Stalingrad in July 1942. Montefiore’s immersive portrayal of the Eastern Front makes this a gripping, convincing tale.
The gritty war scenes and the lovers’ pursuit keep the pages turning.
Montefiore has legions of fans for his histories (The Romanovs), but his ‘Moscow Trilogy’ (One Night in Winter; Sashenka) opens the floodgates to the imaginative re-creation of archival facts. Benya’s story animates a ten-day, desperate struggle in Stalin’s huge gamble against the Nazi war machine. World War II fiction aficionados will want to read this.
Red Sky at Noon is an epic adventure story set against the backdrop of the most awful war in human history. The master historian shape-shifts into the brilliant novelist. Ridiculously good.
— Dan Snow
A gripping novel. Montefiore is brilliant at depicting brooding menace. As the penal battalions are given
increasingly risky missions, it is Benya's journey on horseback that we follow
behind enemy lines in the grasslands of southern Russia. An epic tale. The
language is arresting. It's all beautifully done: a western on the eastern front.
Mythic and murderous violence in Russia. . . there are power-drunk Nazis and Soviet traitors, including a particularly memorable villain. Written with brio & deep knowledge of its fascinating subject matter. Red Sky at Noon is a deeply satisfying page turner. There are atrocities on all sides and a smidgen of love as Benya falls for a brave Italian nurse. A subplot follows the ill-starred affair between Stalin's daughter and a Jewish writer. But Benya's struggle to keep his humanity is the memorable spine of the book
with imagery is such that he immerses the reader in an utterly ethereal
landscape, only to snap them into horror as men emerge from rippling sunflowers
with 'swords streaked with blood and grass,' and that soft horizon is
suddenly filled 'squadrons of tanks like steel cockroaches.' Montefiore can effortlessly meld beauty with battle. Vivid and impeccably
Montefiore's encyclopedic knowledge of Russian history gives his stories a gripping vibrancy. There's a twist to the end of the story that is by turns satisfying and heartbreaking. In the end, love does win out.
Amidst the killing and the chaos, a group of
prisoners are offered a chance of redemption on a secret mission behind enemy
lines on horseback. Montefiore has a keen sense of place and an eye of
unexpected details. Switching between the frontline on the Russian steppes and
Stalin in the Kremlin, this is an exciting and fast-paced adventure and a lament for love in dark and brutal times.
An important and gripping description of conditions early in World War II in Russia, particularly the extensive use of horse cavalry, of which—I suspect—most of us have been unaware.
For the sheer pleasure of being swept away in an epic tale of love and war by a master storyteller, Red Sky At Noon by Simon Sebag Montefiore had me enthralled from beginning to end. This is the final part of his Moscow trilogy – a series of compelling historical novels in the great tradition of Scott, Thackeray and Tolstoy.
I devoured Red Sky at Noon. A heart-stopping, heartbreaking, technicolor epic. A grand homage to the Russian masters Babel & Grossman, echoes of Hemingway & Dostoevsky, and a propulsive delight that is entirely Montefiore's own. Gripping storytelling allied with intimate, unsqueamish knowledge of Russian history—a special combination.
— A. D. Miller, author of SNOWDROPS
In this third volume of The Moscow Trilogy, the
fate of combatants and civilians is often harsh. With his feel for vivid and
immediate drama and impressive research, the author evokes the extreme
turbulence and violence impacting on individuals. Writing with passion,
Montefiore makes the point that, up against the huge forces of war, the
struggle for personal resolution can be tragic—but never wasted.
The gripping final installment of The Moscow
Trilogy tells of a man wrongly imprisoned in the Gulags and his fight for
redemption. Meticulously researched. In this searing tale of love and war, most moving is the redemptive
relationship between a soldier and a nurse that blooms amid the brutality. An
homage to the author's favorite Russian writers and the Western masterpieces
of Larry McMurtry, Cormac McCarthy and Elmore Leonard, such influences pervade
this atmospheric tale told in the author's distinct own voice.
It's Lonesome Dove meets Stalingrad. A band of outlaws riding and fighting for their lives on sweeping plains—but these bandits are not battling tribes in the Wild West, they are on the grasslands of south Russia at war with Nazi Germany and its ally, the Italians. Our hero is not a Texas Ranger but a Jewish writer named Benya Golden. Montefiore has brought his understand of Russian history to life here with great gusto traversing Gulags, battlefields and Kremlin but Golden is a lover not a fighter...
— Leila McKinnon, Women's Weekly (Australia)
Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language
that glitters. Montefiore shows that the historian seeking the truth must call upon creativity as much as upon meticulous research. Here’s hoping we get more spellbinding historical fiction from him.